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Poetry in equilibrium? Chemistry course brings out creativity


Equilibrium

by Jeff Atkinson, Joe Donley and Eric Frey

Wrath!
Equilibrium, the finale of reactions
Dynamic
Ever bouncing the reaction continues
But quantities stay the same
Like two great beasts locking horns
Neither refusing to give way, preferring death to dishonor

Reversibility
Not unlike a fall windbreaker
Double sided, indestructible
Reactions work both ways
Products to reactants
And reactants to products
Ever battling with the merciless bond formations and fragmentations
Who will win this war of wills?

Constant
The Keq, immortal
Products over reactants
Pure solids and water,
Like Green party candidates
Forgotten, not considered

Q, the reaction quotient
Instantaneous
When less than Keq, products formed
When equal, equilibrium is reached
When greater, reactants formed
Ever adjusting toward equilibrium
Much like the clownfish changes sex
To produce an equilibrium between males and females

Le Châtelier
A Frenchman with a love of chemistry
His principle, the law of his land
When a change is imposed
On a system at equilibrium
The system will react in a direction
Reducing the amount of change
Just as a swing, pushed in one direction
Will swing back in the opposite direction

Concentration
The big “M” stands for moles/liter
The answer to the age old question, “How much stuff?”
Adding more reactants drives equilibrium toward products
Adding products has the opposite effect
Water, from quiet sunny stream
To babbling brook
To raging river
All has a concentration of 56 moles/liter

Temperature
Bane of man’s existence
From frozen mountain snows
To burning desert sands
One is never comfortable
It alone has the power to affect Keq
It alone has the splendor
Adding heat will drive endothermic reactions toward the products
While exothermic reactions will be driven toward the reactants

Equilibrium
Quietly controlling
Calming disruption
Governing our lives

 

 

Crack open a poetry anthology and you'll find odes to the seasons, the emotions, even nightingales and the west wind, but rarely have poets been moved to immortalize chemical concepts in verse. Recently, though, students in an innovative new chemistry course at U-M did just that.

Encouraged to employ forms of expression not typically utilized in chemistry classes, students Jeff Atkinson, Joe Donley and Eric Frey used poetry, images and interpretive dance to explain the concept of equilibrium to their classmates.

"We were surprised to get an answer in the form of a poem," says Associate Professor of Chemistry Mark Banaszak Holl, who teaches the Studio 130 Chemistry course with postdoctoral fellow Amy Gottfried and a team of graduate student instructors. "Not only was their work creative, but it also demonstrated a really good understanding of the material."

The course, which is designed to accommodate diverse learning styles, emphasizes teamwork and intersperses mini-lectures with demonstrations and hands-on laboratory exercises. "The typical university class is 50 minutes of lecture, but research shows that people don't maintain attention effectively for more than 10 minutes at a time," Banaszak Holl says. "In the studio course, students change tasks every 10 to 15 minutes, and the tasks are carefully selected for much more effective learning."

For example, a unit on the periodic table—the grid of chemical symbols and related numbers that hangs in every general chemistry classroom—starts with a demonstration, then segues into an activity period in which students are free to play around with samples of various elements, gauging properties such as hardness and finding out what happens when the elements react with water. "Then we have the students create their own tables, which helps them to understand how the elements are organized," Gottfried says.

Early indications are that students taught this way are better at observing and explaining phenomena than students taught in traditional lecture and lab sessions, says Banaszak Holl, and they perform just as well on other measures of comprehension.

"The multiple teaching styles implemented and learning styles accommodated by the studio teaching method have been realized thanks to the excellent development work of the whole team involved in the project," Banaszak Holl says. "After all of their hard work, it is wonderful to see creative, interesting answers that simply would never be produced by the students in a conventional lecture course."

In addition to Banaszak Holl and team leader Gottfried, the Studio 130 team includes graduate student instructors Pascale Leroueil, Kendra Reid and Shaelah Reidy. Students Ryan Sweeder, Jessica Hessler, Jeff Bartolin, Ben Reynolds and Ian Stewart helped develop the course, and chemistry professor Brian Coppola provided helpful advice.

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