|Chang Chi (active 18th c.), Ching dynasty (16441911), Crane on a Pine Branch (detail), hanging scroll, ink and light color on silk. Image courtesy Museum of Art|
Spanning nearly 900 years, the 60 works on view provide a rare opportunity to survey the rich tradition of painting in China. Large-scale exhibitions of Chinese paintings are exceedingly rare, both because of the fragility of the works involved and the unique display requirements of large hanging or hand scrolls. Many of the paintings in the exhibition have never before been shown in the Museum galleries.
The first Chinese painting acquired by the Museum, a large hanging scroll titled Crane on a Pine Branch, is included in the exhibition, as are works by major Chinese artists that were acquired during the 1960s and 70s by Richard Edwards, professor emeritus of Far Eastern art.
The exhibition takes its title from a work by Sheng Mao-yeh of the Ming dynasty (13681644) and depicts a traditional spring gathering of scholars during the Tsin dynasty (317419). Acquired by a 17th-century Japanese collector shortly after it was painted, the piece was exhibited in Japan and then locked up for safe keeping for 300 years, explains Marshall Wu, curator of Asian art. In 1973, a descendent of this Japanese family encountered financial difficulties and decided to sell the scroll.
|Kevin Canze (from left), LS&A senior Amy Brandt, LS&A junior Josiah Chung and Jaye Schlesinger get ready for the exhibition by putting the last coats of paint on specially designed cases that will hold some of the scrolls to be displayed. Canze and Schlesinger are exhibit preparators with Kirsten Neeland (not pictured). Photo by Paul Jaronski, Photo Services|
A two-volume exhibition catalogue carefully details the works on view and includes relevant historical data, critical biographical material on the artists and stylistic analyses of the paintings.
Behind the elegant setting for the exhibit lie years of planning, research and a well-coordinated design and construction process aimed at creating a perfect temporary home for the array of delicate works on silk and paper. Unlike Western canvases that are stretched on wood frames, says Kevin Canze, Museum preparator, Chinese paintings are too delicate to hang unprotected in a public space.
The job of creating a case prototype for works that could be as large as 13 feet in length fell to Jaye Schlesinger, an artist and cabinet maker and a new member of the Museum team. Her design solution balances aesthetics and economy with shipping considerations for the exhibitions future venues.
|Huang Shen (16871766), Ching dynasty (16441911), Figures from Chinese History (detail), ink and color on paper. Courtesy Museum of Art|
I have worked with these paintings for most of my career, Wu says, but sharing them with the public in an exhibition of this scale is truly a wonderful thing.
Museum hours are 10 a.m.5 p.m. TuesdaySaturday (until 9 p.m. Thursday) and noon5 p.m. Sunday. Admission is free, but a $5 donation is suggested.